ABC Family renews 'Liars'

ABC Family has renewed hourlong drama "Pretty Little Liars" for a third season. "Liars" received a 24-episode order for season three, expected once again to begin in June. More than 2.5 million viewers have tuned on average during its second season, which resumes Jan. 2 with a switch from Tuesdays to Mondays. The series features an ensemble of Troian Bellisario, Ashley Benson, Holly Marie Combs, Lucy Hale, Ian Harding, Laura Leighton, Chad Lowe, Shay Mitchell and Sasha Pieterse. I. Marlene King, Oliver Goldstick and Leslie Morgenstein exec produce "Liars" for Alloy Entertainment in association with Warner Horizon Television. Contact Jon Weisman at jon.weisman@variety.com

Hugh Laurie: I'm Done With TV After House

House, Hugh Laurie When House eventually wraps its run, it won't just be the end of a long-running series, it will be the end of a 30-year TV career. Star Hugh Laurie tells Scotland's The Daily Record that he plans to leave television acting when House concludes. "I think I have been rather spoiled here," the 52-year-old actor told the newspaper. "I can't imagine there will be another one quite like this. ... I wouldn't go looking for lightning to strike twice." House preps for the end Laurie's small screen career dates back to the 1982 British sketch special The Cellar Tapes. He went on to star in several other sketch series in the United Kingdom, including A Bit of Fry & Laurie and Jeeves and Wooster, each of which ran for four seasons. The 2012 Guinness Book of World Records lists Laurie as the highest paid actor in a TV drama and also the most-watched leading man on television. A two-time Golden Globe winner, Laurie said he thinks he is "no longer a desirable commodity for TV," but said he would be open to doing work behind the camera. Laurie directed an episode of House in 2010. "I think I will probably be as interested by either writing or producing or directing, or some other aspect. I find the whole field of it fascinating," he says, noting that he's gained new confidence over his eight-year (and counting) run on House. "That's a huge amount of experience and that sort of experience gives you a confidence in a way. I think that I have a confidence that I might not have had." House: The new Dean of Medicine speaks! Laurie, who released his first music album earlier this year and plays in the group Band From TV, said he hopes to work more on his music. "My big source of solace and comfort is music. If the record company is up for it, I certainly am up for doing a second album," he says. "I'd jump for it like a shot." Do you think Laurie should leave TV after House?

Tops in tubthumps?

'Harry Potter as well as the Deathly Hallows' cast at one of the final photocalls. Steven Spielberg preems 'The Adventures of Tintin' in Paris. Every year, the 80 roughly people in the Hollywood Foreign Press Assn. spend the majority of time flying forward and backward within the U.S. and across the world, attending tests and press junkets and talking with celebs regarding latest film."Our press conferences are pretty serious and expected," states former leader Philip Berk, who produces for FilmInk Australia. "But sometimes something really special happens."Here's an example: When the HPFA gang travelled to Paris in October for your "Tintin" junket, furthermore they handled to setup a press conference with exiled director Roman Polanski for "Carnage.""In 33 years of being while using HFPA, this really is really the first time I've ever met him which he was very affable, charming and remarkably accessible," Berk states. "Clearly, we didn't desire to broach the subject from the scandal once we are there to go over the film, but he really alluded in it several occasions. That was pretty memorable."Judy Solomon, an connect since 1956 who reps Israel and produces for Women's World, confirms the Paris trip was "most likely probably the most outstanding moment of year. To acquire two leaders like Spielberg and Polanski in one day? It can't have better, and they're both so competent to interview -- you'll be able to request them anything."Solomon last asked Polanski personally in 1974 when he had been dwelling in Hollywood. "Clearly a great deal has happened ever since then, but he retains the identical desire for film," she states.HFPA member Yukiko Nakajima, who produces for your Japanese market, also cites the Paris trip. "Spielberg was fascinating, while he spoken about how exactly he first discovered Tintin in the French summary of 'Indiana Manley,' " she recalls. "So he bought the rights, nevertheless it then needed him thirty years to produce the film."Jorge Camara, who produces for your Dominican Republic's Cineasta, which has offered as HFPA leader six occasions, states talking with Pedro Almodovar recently for "The Skin Home Is,Inch will be a standout interview "together with a genuine insight. He told us he's had many proposes to direct Hollywood studio pictures, but switched these lower as they couldn't be employed in the Hollywood system, while Polanski told us he, unlike lots of European company company directors who attempted making it in Hollywood, understood the best way to 'work the machinery.' "Ruben Nepales, who produces for your Philippines market, cites Mickey Rourke for "Immortals" and Robin Williams for "Happy Foot Two" because the wedding press conferences of year. "Mickey is actually colorful -- a journalist's dream while he doesn't hold anything back," Nepales states. "He told us about bulking around play a rugby player within the next film, 'The Beautiful Game,' and mentioned his physician had OK'd him to take advantage of steroid drugs - they'd help his energy, stamina and also the sex existence. Nobody could quite accept it. At another point, he apologized to his agent inside the back for saying another factor he shouldn't have."According to Nepales, Williams appeared to become uncontrollable, but in a really different way. "He's carrying out a 1-guy show every time we view him," states the journalist, "and this time around around, since he'd got remarried again each week roughly before, he known to his honeymoon in Paris -- all in French. He awoke and did a quarter-hour round the honeymoon, plus it was hysterical."For Gabriel Lerman, who produces for that country shops, an HFPA trip in September to Polk and Miami was best. "First, we visited Winter, the dolphin star of 'Dolphin Tale' in their aquarium near Polk, and so they shown us how her prosthetic tail labored, and many people got not not even close to her in addition to touched her. That was incredible.InchThe audience then travelled to Miami to visit the audience of "Charlie's Angels." "We met the celebs, and there's no fighting or anything such as this, but we are in a position to tell something wasn't quite working," he recalls. "So nobody was that surprised if the was cancelled 2 days later."For German Karen Martin, who produces for Swiss, German and Japanese shops, the highlight would London for your final "Harry Potter" film. "It absolutely was bittersweet, because we asked all the kids when the franchise began about 10 years ago, and spoken on their behalf for every one since, which is like watching family develop,Inch she states. "They were all so shy and nervous 10 years ago, which we had them gain confidence and become more fun over time.In . Because the eight-movie multibillion-dollar franchise has finally ended, "you question how their careers will establish,In . she adds. "What is going to they're doing next?"GOLDEN GLOBES RACETops in tubthumps? Best Picture: Drama Best Picture: Comedy or Musical Television Animation Contact the number newsroom at news@variety.com

Interview with the Vampire Author Anne Rice Sounds Off on Twilight's Sparkly Vampires

Twilight, True Blood Team Edward is not happy with vampire queen Anne Rice. The Interview with the Vampire author caused a furor on Facebook after commenting that the undead in her books would "feel sorry for vampires that sparkle in the sun." Check out the rest of today's news "I was just joking," Rice tells The Daily Beast. "People ask me what I think about that, and I finally pretended that Lestat and Louis were real and gave their opinion on what they thought of the vampires in Twilight. Unfortunately, I think some of Stephenie Meyer readers took it the wrong way, came to my Facebook page, and were quite unpleasant. But I think they're very... young. It was quite a ruckus! "I can see why the kids like them," Rice says of the Twilight novels and films. "What I say right away is they take the formula of women's romance that was used by Jane Eyre, and they put it in a new context. You have the young girl, Bella; she falls in love with this mysterious figure, and he's menacing just like Mr. Rochester was in Jane Eyre, but he's protective. I think it's an enduring formula." For her formula in creating vampires, though, Rice wanted a more "realistic" take. "I went along with what I inherited from Hollywood-that vampires burn up in the sun.... I thought if they responded hysterically to garlic or crucifixes, that was not as interesting as their being nihilistic and atheistic, and not having a 'magical' response to something but having definite limitations and rules." Check out photos of True Blood The new genre of vampires, Rice notes, are much different from her Interview with the Vampire protagonists. "What I see happening, with writers like [True Blood's] Charlaine Harris and Stephenie Meyer, is the domestication of the vampire. I was more interested in a powerful, Old World figure that had a lot of knowledge, experience, and was surrounded by a lot of glamour and mystery... Charlaine Harris is doing something different by imagining what it's like if vampires are legal and you have them living in your Southern town, and I think she gets a tremendous amount of energy out of that. She's very witty-there's a lot of satire there-and on the HBO showTrue Blood, there's even a romance with Vampire Bill." With the supernatural on the rise, Rice will now tackle werewolves though her new novel, The Wolf Grit, which has a much different take on werewolf mythology from the Twilight series. "I prefer to go with the idea of the man-wolf that remained a man, but became very powerful and strong," she says. "He doesn't turn into a four-footed animal that lives in a pack." Rice isn't opposed to True Blood's werewolf Alcide (Joe Manganiello), though that may just be because "the character's hot," she says. Which vampires do you prefer, the ones in Twilight, True Blood or Interview with the Vampire?

Bellas Breaking Beginning Wedding Dress In A Lower Cost

First Launched: November 22, 2011 4:20 PM EST Credit: Access Hollywood La, Calif. -- Caption Designer Alfred Angelos replica of Bellas wedding dress within the Twilight Saga: Breaking Beginning - Part 1Twi-hards might not be capable of marry A Vampire Named Edward, but beginning today, you can purchase a replica of Bellas wedding dress within the Twilight Saga: Breaking Beginning - Part 1. Designer Alfred Angelo constitutes a substantially less pricey version in the figures gown, listed at $799. The Carolina Herrera gown worn inside the movie needed six several days to produce and was hands crafted by four seamstresses. The first stunning dress consists of crepe satin with French Chantilly lace with 152 buttons that line the entire back. It's thought being worth $35,000. I desired to make a magical moment they within the wedding, Herrera told Reuters the other day when asked for about Bellas gown. Shes an innocent girl that's finding her first soul mates, so there's romance, there's miracle, there's everything together. Alfred Angelos version consists of satin sheath with lace applique with 126 buttons. Clothing will fit women of numerous dimensions, different from to 18. Celebrity stylist Joey Tierney, who came out on Tuesdays Access Hollywood Live, told Billy Rose rose bush and Package Hoover, Its for every lady. Everybody might be Bella. The waist is very slimming, the way they designed it. Its classy. Alfred Angelo also created replicas of Bellas bridesmaids dresses an affordable solution for promenade too accessible in crimson and lavender and listed at $189. See really Bellas wedding replica gown, HERE! Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

The Expendables 2 Poster Arrives

The most action movie poster everWARNING:a mere glance at this poster is what caused half the dinosaurs in Jurassic Park to turn into males, so pumped with testosterone is it. This promo for Expendables 2 contains, by our estimate, 75% more muscles and 190% more guns than every other poster this year put together.The film, as you are no doubt aware, sees Sylvester Stallone and company (including Jason Statham, TerryCrews, Dolph Lundgren and Jet Li) taking on another impossible mission. With beefed-up roles this time, Bruce Willis and Arnold Schwarzenegger are back, and they're joined by Chuck Norris and Jean-Claude VanDamme. So much bicep!So many roundhouse kicks to the head! And, er, Liam Hemsworth. Maybe that'll make more sense once we see him in action in Hunger Games; currently, in the wake of The Last Song it doesn't make so much sense. Simon "Con Air" West is directing this time.[[Poll554]]Expendables 2, which appears to have dropped the definite article, is due out on August 17, 2012. We're not going to call it "EX 2"; too many traumatic memories of LXG.

Netflix Revives Arrested Development

Arrested Development Netflix has arrived the privileges to stream new instances of Arrested Development, Variety reviews. In October, Arrested creator Mitch Hurwitz introduced the sitcom would return for just one abbreviated season, concentrating on exactly what the figures happen to be doing because the show was canceled in 2006. Showtime was apparently a contender like a new house for Arrested, but Netflix won the putting in a bid war, that will see new instances of the series around the streaming service in 2013. Arrested Development Creator: We are back! "Arrested Development is among the finest American comedies in TV background and its return through Netflix is an ideal illustration of the way we will work carefully with galleries and systems to supply customers with entertainment they love,'" stated Ted Sarandos, Netflix Chief Content Officer. Inside a joint statement, Hurwitz, Howard and John Grazer stated from the deal: "Getting a set back from cancellation rarely happens, however, Arrested always involved as unconventional because they get, therefore it appears totally appropriate this reveal that broke the mold is smashing it to pieces once more." Ron Howard states you will find no roadblocks for Arrested Development movie While it's unclear what this signifies for that possible movie that Hurwitz stated would stick to the return of Arrested, executive producer Ron Howard lately assured TVGuide.com that each cast member has an interest in doing the show. The show opened in 2003, and was canceled for only three seasons despite its popularity. Are you going to watch Arrested Development on Netflix?

Woody Allen: A Documentary Trailer: Manhattan Master Mystery

PBS’s American Masters series is shining their “Viewers Like You”-funded spotlight on Woody Allen, who is decidedly uninterested in being a part of Academy consideration this year. In the trailer for the star-studded doc, we field gushy soundbites from Diane Keaton, Sean Penn, Larry David, Scarlett Johansson, Mariel Hemingway, Mira Sorvino, and more. Oh, and Woody also shows up. Watch Woody Allen: A Documentary on PBS. See more from AMERICAN MASTERS. I wouldn’t mind if half of the movie was Diane Keaton’s confessionals. She’s been killing it lately with the candor. Think she’ll talk about how her affair with Woody was hindered by bulimia, or do you think she’ll stay on the “He’s brilliant, but a little nutty!” line of diplomacy? Either way, the movie premieres on PBS this Sunday, November 20 from 9-11 PM and airs again Monday, November 21 from 9-10:30 PM. I’m there. Verdict: Keaton’ it real! (Sorry.) [via PBS]

Alex Lacamoire Brings It Together for 'Bring It On: The Musical'

Alex Lacamoire Brings It Together for 'Bring It On: The Musical' By Melinda Loewenstein November 10, 2011 Photo by Ryan Miller Musical theater fans can list their favorite composers and lyricists by name, and performers probably have a wish list of potential musical collaborators, but members of either group may not be as aware of the important role musical supervisors play in bringing all the musical elements together behind the scenes. Alex Lacamoire, the music supervisor on the new " Bring It On: The Musical" (running Oct. 30 to Dec. 10 at the Ahmanson Theatre), describes his job as the "traffic control center of the music in the show." Lacamoire wears multiple hats on the show, loosely based on the 2000 cheerleading film, also serving as co-arranger and co-orchestrator. The show features a book by Jeff Whitty ("Avenue Q"), music by Lin-Manuel Miranda ("In the Heights") and Tom Kitt ("Next to Normal"), and lyrics by Miranda and Amanda Green ("High Fidelity"). Lacamoire has arranged music for such Broadway hits as "Wicked," "Legally Blonde," and "In the Heights," for which he won a 2008 Tony Award for best orchestrations.Music has always been a part of his life. "I've been told stories that even when I was 2 years old, I would sit in front of the stereo speaker and just stare at the speaker and be transfixed by music," he recalls. "So this is definitely something that I feel like I was born to do." Ironically, "What I Was Born to Do" is the title of "Bring It" 's first song. Lacamoire has been playing piano since age 4 and has always loved all styles of music. That love for music intertwined with a love for the theater in high school when he was called on to join the band for a production of "Bye Bye Birdie." He says, "I loved the music of theater, I loved the people in it, I loved the camaraderie of the people involved, I loved the outgoingness of the people who performed it, so theater is always something I've gravitated towards, and I just found out by the time I was in high school and college that it was something that I had a knack for."At Berklee College of Music, he studied different styles of music, which paved the way for a versatile career. "All the things I've done are very different, but I feel very lucky that these are all styles that I feel like I either know about or have studied or just love," he explains. "I love all kinds of music. I feel lucky that I've learned just enough about all these styles of music that I'm able to create music that references these styles when needed."Lacamoire has been involved with "Bring It On" since the beginning of its development process. He'd worked with director and choreographer Andy Blankenbuehler on "In the Heights" and "9 to 5." During the latter show, they forged a working relationship, so when Blankenbuehler was hired to direct and choreograph "Bring It On," he brought on Lacamoire. "So basically I got on the project because I had worked with Andy and we had worked so well together," says Lacamoire. "Basically anything that Andy does from here on out, he says he will hire me for anything he does, which is great."As music supervisor, Lacamoire has also been involved in the casting process for both "In the Heights" and "Bring It On." Although his role is to assess the vocal abilities of those auditioning, he also takes the bigger picture into consideration. He notes, "If there's someone that really inhabits the role from an acting perspective and has the look and the feel that we're looking foreven if they aren't the best voice we've ever heardI still know that the other things that they have on the table are worth going for, and their voice can either be worked on by me or I can find ways to make the song fit better in their voice." Dancing Challenges The demanding choreography in "Bring It On" posed unique casting challenges. "You have to be at a high level of performance just to be able to execute the moves that [Blankenbuehler] crafts," Lacamoire says. Because of this degree of difficulty, the productions needed professional cheerleaders, but most didn't have musical theater experience. For many of the cheerleaders, their audition was the first time they'd sung in public. This created a challenge for Lacamoire because he had to "determine whether or not someone had the ability to sing and belt, to make sure they had pitch, to make sure they had rhythm. Because sometimes people have that, but you wouldn't know it." To complicate matters, because they were cheerleaders, they often didn't have a book of songs. "So Andy came up with a brilliant idea, which is when we have auditions we have a stack of top songs that these cheerleaders probably know and that they can sing for us," says Lacamoire. The cheerleaders were given songs such as "This Love" by Maroon 5, "Ordinary People" by John Legend, or "Since U Been Gone" by Kelly Clarkson. Then Lacamoire would work with them for five minutes on just the chorus, encouraging and nurturing their natural singing abilities, to find skilled cheerleaders who also had the necessary vocal abilities.Lacamoire really liked the development process, because he felt that he was given a lot of input on the vocal arrangements, which he worked on with Kitt. "Because Andy is very big on musical transitions and using music and dance to get from point A to B in the story," he says, "I ended up creating a lot of transitional cues that happened in the show." For the end of Act 1, Lacamoire created the rhythmic melody for Kitt to use in creating the notes for the song. He was also able to "string together" the different sections that Miranda had written for the song "Saturday Night Jackson" in a way that made the story make sense for Blankenbuehler. Because of the dance-intensive nature of the show, Lacamoire had to simplify the harmonies to make them as easy as possible. "So normally people might write for four-part harmony," he continues, "[but] there are a lot of times in the show where we have two-part harmony just because we have to factor in that we're losing half the voices because they are doing stunts onstage." Knowing that he "had input on the way a song feels and what the groove is and what it does and whether it's going to make someone tap their foot or whether it's going to make someone excited or whether it's going to move the story further" is rewarding to Lacamoire. He acknowledges that his role is behind the scenes but is also aware that even though people may not notice what he has contributed to a song, "if it wasn't there, they would notice it." "Bring It On: The Musical" continues at the Ahmanson Theatre, 135 N. Grand Ave., L.A., through Dec. 30. (213) 628-2772. www.centertheatregroup.org/tickets/. Alex Lacamoire Brings It Together for 'Bring It On: The Musical' By Melinda Loewenstein November 10, 2011 PHOTO CREDIT Ryan Miller Musical theater fans can list their favorite composers and lyricists by name, and performers probably have a wish list of potential musical collaborators, but members of either group may not be as aware of the important role musical supervisors play in bringing all the musical elements together behind the scenes. Alex Lacamoire, the music supervisor on the new "Bring It On: The Musical" (running Oct. 30 to Dec. 10 at the Ahmanson Theatre), describes his job as the "traffic control center of the music in the show." Lacamoire wears multiple hats on the show, loosely based on the 2000 cheerleading film, also serving as co-arranger and co-orchestrator. The show features a book by Jeff Whitty ("Avenue Q"), music by Lin-Manuel Miranda ("In the Heights") and Tom Kitt ("Next to Normal"), and lyrics by Miranda and Amanda Green ("High Fidelity"). Lacamoire has arranged music for such Broadway hits as "Wicked," "Legally Blonde," and "In the Heights," for which he won a 2008 Tony Award for best orchestrations.Music has always been a part of his life. "I've been told stories that even when I was 2 years old, I would sit in front of the stereo speaker and just stare at the speaker and be transfixed by music," he recalls. "So this is definitely something that I feel like I was born to do." Ironically, "What I Was Born to Do" is the title of "Bring It" 's first song. Lacamoire has been playing piano since age 4 and has always loved all styles of music. That love for music intertwined with a love for the theater in high school when he was called on to join the band for a production of "Bye Bye Birdie." He says, "I loved the music of theater, I loved the people in it, I loved the camaraderie of the people involved, I loved the outgoingness of the people who performed it, so theater is always something I've gravitated towards, and I just found out by the time I was in high school and college that it was something that I had a knack for."At Berklee College of Music, he studied different styles of music, which paved the way for a versatile career. "All the things I've done are very different, but I feel very lucky that these are all styles that I feel like I either know about or have studied or just love," he explains. "I love all kinds of music. I feel lucky that I've learned just enough about all these styles of music that I'm able to create music that references these styles when needed."Lacamoire has been involved with "Bring It On" since the beginning of its development process. He'd worked with director and choreographer Andy Blankenbuehler on "In the Heights" and "9 to 5." During the latter show, they forged a working relationship, so when Blankenbuehler was hired to direct and choreograph "Bring It On," he brought on Lacamoire. "So basically I got on the project because I had worked with Andy and we had worked so well together," says Lacamoire. "Basically anything that Andy does from here on out, he says he will hire me for anything he does, which is great."As music supervisor, Lacamoire has also been involved in the casting process for both "In the Heights" and "Bring It On." Although his role is to assess the vocal abilities of those auditioning, he also takes the bigger picture into consideration. He notes, "If there's someone that really inhabits the role from an acting perspective and has the look and the feel that we're looking foreven if they aren't the best voice we've ever heardI still know that the other things that they have on the table are worth going for, and their voice can either be worked on by me or I can find ways to make the song fit better in their voice." Dancing Challenges The demanding choreography in "Bring It On" posed unique casting challenges. "You have to be at a high level of performance just to be able to execute the moves that [Blankenbuehler] crafts," Lacamoire says. Because of this degree of difficulty, the productions needed professional cheerleaders, but most didn't have musical theater experience. For many of the cheerleaders, their audition was the first time they'd sung in public. This created a challenge for Lacamoire because he had to "determine whether or not someone had the ability to sing and belt, to make sure they had pitch, to make sure they had rhythm. Because sometimes people have that, but you wouldn't know it." To complicate matters, because they were cheerleaders, they often didn't have a book of songs. "So Andy came up with a brilliant idea, which is when we have auditions we have a stack of top songs that these cheerleaders probably know and that they can sing for us," says Lacamoire. The cheerleaders were given songs such as "This Love" by Maroon 5, "Ordinary People" by John Legend, or "Since U Been Gone" by Kelly Clarkson. Then Lacamoire would work with them for five minutes on just the chorus, encouraging and nurturing their natural singing abilities, to find skilled cheerleaders who also had the necessary vocal abilities.Lacamoire really liked the development process, because he felt that he was given a lot of input on the vocal arrangements, which he worked on with Kitt. "Because Andy is very big on musical transitions and using music and dance to get from point A to B in the story," he says, "I ended up creating a lot of transitional cues that happened in the show." For the end of Act 1, Lacamoire created the rhythmic melody for Kitt to use in creating the notes for the song. He was also able to "string together" the different sections that Miranda had written for the song "Saturday Night Jackson" in a way that made the story make sense for Blankenbuehler. Because of the dance-intensive nature of the show, Lacamoire had to simplify the harmonies to make them as easy as possible. "So normally people might write for four-part harmony," he continues, "[but] there are a lot of times in the show where we have two-part harmony just because we have to factor in that we're losing half the voices because they are doing stunts onstage." Knowing that he "had input on the way a song feels and what the groove is and what it does and whether it's going to make someone tap their foot or whether it's going to make someone excited or whether it's going to move the story further" is rewarding to Lacamoire. He acknowledges that his role is behind the scenes but is also aware that even though people may not notice what he has contributed to a song, "if it wasn't there, they would notice it." "Bring It On: The Musical" continues at the Ahmanson Theatre, 135 N. Grand Ave., L.A., through Dec. 30. (213) 628-2772. www.centertheatregroup.org/tickets/.

Muppets Oscar Campaign: Miss Piggy Spoofs Melissa Leo in New Ad

On Wednesday evening, Variety reported the Muppets probably wouldn't be hosting the Oscars. However, you may need a much more than an unverified source to avoid them -- especially Miss Piggy. Behold the appropriate-released Miss Piggy Oscar ad, which harkens towards the questionable ("questionable") Melissa Leo Oscar campaign taken. Will this be adequate to sway the Academy? Not likely! But! For the moment, see the new ad, along with our 10 potential substitutes for your Oscar host, ahead. [Photo: Disney] 10 Possible Oscar-Host Substitutes Ough GervaisRobert Downey Junior.The MuppetsMeryl StreepTina FeySteve Martin and Alec BaldwinNo OneNeil Patrick HarrisHugh JackmanBilly Very See All Moviefone Galleries » Follow Moviefone on Twitter Like Moviefone on Facebook